Soundscapes are ‘holographic’ virtual ‘landscapes’ created by stereophonic music.
Stereophony gives the possibility reproduce a virtual orchestra between the set of stereo loudspeakers.
This is more enhanced if 4 loudspeakers are used in the corners of the room, and even more explicit if every corner of the room has a loudspeaker, 8 loudspeakers in total.
Yet better is the effect if there are another eight loudspeakers which ‘account/compensate for the size of the room itself’.
In this way is possible to make use of the principal known as “space compensation”.
Every space functions like resonator, and will have its own characteristic resonant wavelengths; interacting/interfering with the music that is played.
Earlier stereo sound systen offered this as a standard feature, by which it was possible to compensate for the size of the room, and create a virtual sensation of the larger or smaller room.
This was done by compensating for the size of the actual room, so that the phase space of the different room size could be replicated, projected, within the room.
For this purpose, white noise was projected into the room, monitored and measured back, and corrective by wave phase inversion.
In this way it is possible to assess the size of the room, and replace it by a virtual different room size.
In the early loudspeaker systems, these options were known as for example bathroom, garage, theatre, cathedral and so.
it is relevant in this case, is that it is possible to make use of ways phase modulation, to eliminate the physical space, to replace it by a virtual phasical space.
In that sense it is possible not to only project the virtual orchestra between loudspeakers, but also to also eliminate the room where the music is played, and replace it by the theatre hall where the music was recorded.
This phenomenon of wave phase reflection inversion and subtraction, has been used in car production (“wave cancellation”, Sound cancellation”).
There, microphones have been used to record the sound of the motor or exhaust, and been played back in inverse phase.
As a result, this created the phenomenon of wave phase cancellation, suppressing the sound of the exhaust; or of the sounds of the motor/engine.
This is a similar principle as is used in medical industry, known as digital subtraction analysis.
In (visual) digital subtraction analysis, the recording in case is that of the x-ray picture taken of the body.
This is commonly used for the area around the arteries, which is ‘stable with respect to the flow process dynamics’.
By recording the area around the arteries plus the area of arteries it is possible to enhance the image of what takes place IN the arteries, by using digital subtraction.
The area around the arteries' is inverted (as was described for the sound of the motor) as a result of which the dynamics of the arteries can be made to stand out with respect of the context.
The use of soundscapes has been applied in projections in social spaces.
For example there was a bar, where a set of loudspeakers had been used to create a sound space at the entrance.
In standing in front of that bar, there would be a very specified region were sound could be heard, but also a very clear boundaries for the sound was acoustically subtracted.
This created a corridor, a virtual corridor, guiding the people to the door.
The use of spatial virtual space creation has been applied in therapeutic sound instruments also.
The Genesis device makes use of loudspeakers positioned in the shape of a rectangle around the space of a bed.
By having the loudspeaker's in that position it is possible to produce a very defined sound projection/space/Shape within that geometric space.
The Genesis system makes use of that possibility, to do the systematic dynamic of phase inversion, for the left-right, top-bottom, front-back sound projection's.
When the phase inversions are synchronised over all three axis simultaneously, it is possible to create a virtual insight-outside sound inversion.
For the Genesis system, this was used to interact with acoustic orientation system of the person lying on the berth.
In our body, the spatial (stereophonic) acoustic sensation, the visual sensation, the equilibrium sensation, and the long nerve sensation are all interconnected.
Together, these four systems provide the basis for our spatial orientation: they combine hearing, sound, sense of gravity, and placement in the context.
The Genesis device makes use of the possibility for phase inverse to virtually ‘disorient’ people in space, foor a deeper level self-re-orientation.
The maker was very aware of the use of the combination of coherent (music) discrete wavelength, and white noise sounds reproduction.
By their combination, this had a similar effects to that which is used in visual holographic projections.
The coherent sound waves, in combination with the white noise signals, presented the equivalent of the laser beam and the holographic sound image.
In fact, what we are dealing with in soundscapes, is the equivalent, in sound, of a virtual visual holographic image.
This is why we can imagine a soundscape to be the sonic equivalent of the photonic hologram.
This is why it is possible to understand how we can model the internal process dynamics of the body, by the use of sound.
And, in this manner, gives a reproduction (or simile-replication) to the dynamics of what happens in the light field of intercellular communication.
In this way we can transcend the limitations of our capacity to visualise or imagine what happens in the life light fields, by showing the equivalent in the sound domain.
In producing the stereophonic soundscape image of the body, we will need to account for phase changes and phase compression.
In our body we see that signals are always compressed by combining the characteristics of the four dimensions.
Separately mentioned is the relationship of impulse propagation from the sensory cell to the neurone to the neural plexus to the brain, going from 0D to 1D to 2D to 3D.
Throughout the body we can see that it's organisation is based on this tetrahedral or vortex dynamics of four dimensional (de)compression.
This concludes this presentation of the principle of the soundscape, which has the sole purpose to familiarise you with the idea of virtual space projects in sound.
It has its own virtual dimensions, separate from the space in which the sound is actually being projected, due to phase inversion and wave phase cancellation.
It has the possibility to project a virtual sounds shape, which does not actually exist in that space (such as for example and orchestra which is actually not present in your room).
But people, who walk in that domain with closed eyes, will be able to walk from one instrument player to the other and identify their separate locations.
In this way that we can represent the (intra-/inter-)cellular communication dynamics, outside of the body.
In that process it is necessary to make use of the very specific dynamics known as holographic phase organisation.
Also this must make use of the four dimensional compression and decompression as it is used in the body.
As a result it will be possible to have the phase space operational dynamic of the body replicated outside of it.
This phase space dynamic field is the basis of life within our body.
When the intercellular wave vibration/communication stops, the body is considered to be ‘dead’.
Cellular communication takes place at a level of light, electromagnetism, sound and physical motion.
For our body, all of these vibrations are immediately interconnected and non-distinct.
This, we can see from the way our body operates sensory vibrations.
Our sensory organs, such as eyes, nose, tongue and ears, all response to vibrations.
In fact, all the sensory organs are very specific cellular arrangements, by which they are sensitive to specific distinct vibrational ranges.
For example, the eyes response to photons, then nose and tongue to molecular dissociation, the ears to sound vibration, and the gut to the it equivalent to tectonic vibrations.
These sound impressions from the environment are captured by the very specific distinctly different filter filters/senses, but integrated within the brain.
This means, that for the body, the sensory systems are not separate, but only filter systems, for part of the integral environmental vibrations.
The environmental vibrations are reconstituted, recomposed, within the brain organisation dynamic.
Therein there is a dimensional reorganisation, involving a relay from point, two line, to plain, to volume.
It means that in the sensory spatial equivalent replication of the cellular communication of the body we need to account for this four dimensional integration.
We therein also need to account for the relationship between atomic, molecular, ‘chemical’, and ‘physical’ dynamics.
In fact, that is work we need unified science, as is the core of the science of life.
Because we see that the photon field, the electromagnetic field, the chemical field and the physical field are in fact one.
Reality of Alchemy
This was already described by the alchemists, in (in their terms) the relationship between fire, there “Air”, “water” and Earth”.
Nowadays we would call this plasma, gas, liquid and solid; or photonic, electromagnetic, chemical and physical.
In fact it involves one integral electromagnetic field; with direct relationship between light, electromagnetism, free electron flow, and bound electron structures.
It is that electromagnetic fields dynamic that is being virtually replicated by the sound field of MatheMusics.
This means that it is possible to calculate and compute the wave field interaction coherence of the cellular interactions.
The sensory vibrations of the body, the sound dynamics of the organs, the electromagnetic dynamics of the cells, and the radio information contained in atomolecular divisions and replication is the essence.
This means, that we cannot replicate this soundscape dynamics in a digital computation.
For this soundscape replication and analogue, wave-based computation, is required.
In fact, a hybrid computation is needed, which in fact would be the equivalent of the relationship between the laser beam and diffuse holographic wave field.
This is also needed in order to be able to cross the gap of the Black Hole, implied in the quantum of discrete digital computation's.
Quantum analysis is based on the gap in the transition from one atomic orbit to another.
In fact this quantum gap is actually the transition from one the DeBroglie waveband to another.
That means that the quantum is in fact this phase transition from wavelength N, to the wavelength N+1, four example.
The quantum space itself is the equivalent of the wave position of N +/- 1/2.
This is where we can then compute the relationship in the hybrid model, by realising that the quantum space is in fact the position of the crossing of the waves (wave node).
The Einstein equations looked at a balance/closure between the feedforward and the feedback of the electrical and magnetic waves components within one wave note.
The Planck equations of quantum theory deal with the transition from one wave node to the next.
In the hybrid complication we are thus dealing with the Soliton equation of the relationship between one wave node and the other, connected by the wave crossing point between them.
In the Tiller-Einstein equation this wave node transition has been described in a more explicit manner.
There, it is evident that the wave crossing takes place in the zero point of the crossing of the electric and the magnetic wave.
Also, it is evident, that the point of wave crossing itself, the zero point, is the peak of maximum information.
Every minute variation of vibration in and around the zero point, represents enormous masses of information.
This is where, and why, the zero point is the equivalent of the position of maximisation of information.
Freedom of Choice
In counter point of interpretation of this zero point, we can say that this peak of information is also the local focus of freedom of choice.
Any interaction with this peak-information, and the positioning of the location of the zero point of the electromagnetic wave, will redefine the wave phase.
In fact, at that precise point it is possible to (selectively) operate wave phase inversion.
This is how we operate freedom of choice in our body: precisely by the effect of virtual wave phase inversion into, or next to, that the zero node of that phase wave.
This concept is described, in the meridian therapy of acupuncture, as the reversal of the meridians.
The meridians are iso-phase vector field lines of the intercellular communications.
Meridians operate at the speed of phase, thus beyond the speed of sound and light.
The speed of sound and light are in fact simply relativistic system boundaries, as described by dimensional analysis.
Every dimensionless parameter in dimensional analysis
specifies the domain of breakdown of the local organisation of phase.
This virtual, critical, boundary is the equivalent of the relationship between the internal oriented and the external oriented loudspeakers of the spatial cube described above.
The internal oriented loudspeakers are used for the replication of the sound projection within that physical space.
The external loudspeakers are used for the correction and compensation of the virtual space around the sound projection.
It is in that way that the critical boundary of dimensional analysis denotes the point of breakdown of the local phase space wave coherence.
That means, that in this soundscape, we can produce a virtual wave field, with its own virtual context.
This is characteristic for a soliton wave, as was mentioned above, which is a wave with local phase (inversion) coherence.
The minimal soliton is the relationship between a wave, the wave node, the wave envelope and the soliton (which is the wave’s inverse in this context).
A soliton can be depicted by having one circle juxtaposed to another, encircled by a double folded lemniscate wave, representing the wave envelope and the soliton.
This soliton image is the equivalent of the dynamic of cell division.
In cell division we see the inversion of the topology of the single cell, by the cell turning inside out.
This Total System Inversion dynamic operates by the principle of a vortex (in 4D).
In turning inside out, the cell liquefies its spatial organisation, electrifying its molecular cohesion, and dissolving it's atomic organisation.
In fact we see the immediate integration between physics, chemistry, electromagnetism and atomic photonic fields.
As a result the cell is able to turn itself inside out and recompose itself, re-project itself, as its own dual (see the work by Peter Rowlands).
In the process of cell division we see that one cell becomes two.
At the same time we see that in the duality of the two cells, fully complementing each other, unity is maintained.
This means that in this cell division we end up with the mathematics of 2 = 1.
This can be represented in the geometry of Borromean rings, in the transition from a circle to figure 8.
The transition from a circle to figure 8 is achieved by ‘folding the circle on itself’).
A specific conversion of this lemniscate figure (‘figure 8’) is the Möbius loop.
In the lemniscate the figure is composed of a line; in the Möbius loop it is composed of a strip.
In both cases there is a direct connection between the inside and the outside of the two domains of the loop (i.e.: ‘the two sides of a wave node’).
This Möbius loop, the lemniscate process dynamics, is characteristic for the organisation of the body organs.
All organs together form a Möbius loop in which they connect inside and outside of the body.
Every organ in itself represents a filter system, a critical, regulated, localised, singular, boundary of the system.
The complementarity between the body organs is similar to the complementarity of the sensory organs, in the way they all operate on part of the spectrum of vibrations that they all deal with.
Cell division decision
In this way we see that there is a direct relationship between the dynamic of the first cell division, in which one becomes two, but in fact remains one, and the dynamic of the organs.
In both cases we are dealing with a unbroken circle, which at the same time operates as a Möbius loop.
This can be mathematically represented by the transition from Borromean ring of order one the Borromean ring of order to.
What we are dealing with in fact is the specific dynamic of phase rotation of turning a circle into a figure 8.
This dynamic of phase rotation is thus the basis of the operation of cell division decisions.
It is also the dynamic of wave reflection in the zero point of the wave node of the electromagnetic waves.
It is also the crossing point in the lemniscate, Möbius loop, figure-8 organisation of the body (sensory) organs.
And it is also core of the positioning of singularity-stability, in the shape of the soliton composed of two circles, next to each other, contained within the envelope forming a soliton wave (which is the functional operational topology shape of our body).
It is that precise dynamic, of the precisioning of the positioning of the one wave next to the other, in the way node, in the crossing of the electric and the magnetic wave, where we see the dynamic of the quantum gap.
In the quantum gap we see the transition from one wave to the next, which is equivalent to the transition from one atomic orbit to another.
In atomic physics we can see that at that position we are dealing with the wavelength of N +/- 1/2; which is the locus of direct wave-interference.
We have already seen that this is that peak of maximum information intensity; which is also the precision locus of freedom of choice.
The nature of Life
It is this dynamic of procession of freedom of choice, for which we now propose to use the metathematic model of MatheMusics.
It is the replication of the vibrational dynamic of the cell division process fractal, in which division and multiplication are one, differentiation and integration are one, two equals one, and inside equals outside.
In that soundscape dynamics, at a different scale of presentation, we replicate the relationship between the photonic atomic, the molecular, the cellular and the organic vibrational coherence.
We can do this in a hybrid computation of the wave field integration, localising the projection of the coherence wave field.
This makes the sonogram (the localised opened ‘hologram’ sound-equivalent of hologram) the virtual representation of the dynamic of the sound field.
It will be evident that the sound field represents the intercellular dynamics of cell communication and cell division decisions.
That means that the soundscape in fact is the representation and equivalent of the process of consciousness, as it takes place in our body.
That also means that it is this sonogram, which is the representation of the element of life within our body, and also ‘the blueprint of health’.
Because we see that in death, the body, organs and cell can still be intact; but what is lacking is their communicational dynamic.
In specifying a representation of the cellular communication we only have replica, ‘a snapshot photo’, of the process of consciousness.
Even though the sonogram will need to be three-dimensional dynamic, it's still needs to have if fourth dynamic phase inversion consistency.
This is the same four-dimensional dynamic as its implied in the Tesseract formulation used by Cees van Schooneveld, described in the formulation of the Mathematics of involvement.
The Tesseract is the equivalent of the tetrahedral, and the vortex, in its extended form.
4D Dynamic Logic
The tetrahedral is a four dimensional shape, which can be identified with a four dimensional dynamic of cell division.
The inversion process of cell division operates by a vortex; which is an equivalent form of a tetrahedron.
The Tesseract is a equivalent form of an extension of the vortex and the tetrahedron.
The ultimate descriptor for coherence of cell division is the time fractal, described by Susie Vrobel.
A graphical representation of the spatial dynamics of the fractal, the Tesseract, the tetrahedron and the vortex can be seen in the images created by Dan Winter.
Therein he shows the equivalent of wave harmonic interference, as geometric stellate structures, spheroidal-stacking dynamics, and the inversion rotation vortex representated by its equivalent form of the Torus.
All of these principles come together in the notion of MetaMusics.
The purpose is to create an understanding of the coherent localised dynamic transformational sound field which operates in the body.
As a sound image, it is a limitation with respect to the actual electromagnetic field dynamic, involving light & electromagnetism & sound & motion.
But in any case, it gives a good enough approximation for the understanding of the actual dynamic of cell communication, thus of consciousness, thus of life.